• 8 Posts
  • 28 Comments
Joined 2 years ago
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Cake day: July 17th, 2023

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  • GreyShuck@feddit.uktoMovies@lemmy.world*Permanently Deleted*
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    6 months ago

    Way back in the day it used to be Cinema City in Norwich: the only art-house one in the city and where I ‘learnt’ cinema. It was great.

    These days, I live between three small town cinemas in Suffolk, and they are all good in their own ways.

    The Riverside in Woodbridge often has a talk about the film or maybe even an interview with the director or one of the cast etc on stage afterwards. Aldeburgh Cinema is run by a charity, shows a good few NT live events and local films and also has a documentary fest each year, and Leiston Film Theatre is, as they say on their site, the oldest purpose built cinema in the county (110 years now), and had the advantage for a while of being about 150m from our back gate. It is the most commercial of three in terms of programme, but still has some interesting stuff.





  • GreyShuck@feddit.uktoVideos@lemmy.worldThe Male Fantasy
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    1 year ago

    So this is hovering around the -2 votes so far. And I imagine that the downvotes are from people who didn’t watch and were taken in by the title.

    If the same thing had been in a four-panel cartoon or a screenshot of text or whatever, it would be raking the upvotes in.



  • I don’t think that I have ever submitted more than 2 applications in a week. Most of the info in those is the same, so it’s just copy and paste from the last one or from your cv and then how you fit the person spec, which always the one involving most thought.

    It hardly counts as a full time job though.

    I don’t think that I have ever actually kept it a secret as such, but I would seldom have cause to mention it anyway until I get an interview. At that point it depends on my current relationship with my manager. Sometimes I have just booked a day off for no specific reason, other times I have told them. If it is a post in the same organisation I’d certainly tell them. If it was a place where yhe managers were that bad, I wouldn’t want to stay there at all.









  • I have only heard of him through the podcast. I’d suggest listening to that. It’s a great series. Or, of course, his actual books are listed on the wiki page.

    However, I think that he is saying that we shouldn’t be relying on something that can be and clearly IS being removed or ignored when inconvenient. Maybe, instead, we should be looking at respecting human life just for itself, without cluttering things up with legal language that doesn’t actually add anything.

    Personally, I can see where he is coming from, and seldom think or speak in terms of rights myself for much the same reasons. But, either way, however much ignored or misused it is, I don’t think that we can realistically expect anyone who is likely to create exceptions to human rights to have any innate respect for people otherwise.

    Until someone comes up with something better, human rights are about the best way of framing the ideas that we have.





    • Typist Artist Pirate King (2023) - biopic of Audrey Amiss with a very effective portrayal of her paranoid schizophrenia.

    • The Creator (2023) - looked great but totally predictable and unoriginal.

    • A Field in England (2013) - surreal, low-key folk horror with some memorable BW cinematography.

    • Oppenheimer (2023) - powerful and great performances, but it could have been just as effective with 20 minutes cut IMHO.

    • The Miracle Club (2023) - nothing outstanding here, but a solidly told tale of forgiveness.

    • Lair of the White Worm (1988) - as messily uneven as ever. Amanda Donahue seemed to know what Loach Russell was aiming for. Not sure about anyone else.